It’s rare that a second book in a trilogy not only manages to stand on its own but is in fact, far better than the first book. The Girl in the Tower (Winternight Trilogy) by Katherine Arden came as a pleasant surprise. We had read and reviewed the first book, The Bear and the Nightingale, last year. Though interesting because it was so different, we had not found it riveting. But the second book was gripping and fascinating in equal measures and we found we couldn’t to put it down and became resentful when forced to.
The setting of the tale in Russia and much of it in Moscow, during a period we don’t know much about, makes the book an intriguing read. In medieval times Rus was a vassal state of the Khans in Sarai and the story is set some years after the death of Genghis Khan. Culturally Rus was more influenced by the east rather than the west, which possibly explains the system of enclosing noble women in terems and not allowing them out in public. There was also considerable conflict between the old traditions and Christianity. Arden has added fascinating little details such as the different looks that people wear in different seasons; in winter they were wan and thin as opposed to the fuller cheeks of summer. And the descriptions of the bathing houses where people would sweat in hot steam and then jump into freezing cold water. As a result of these details, the book reads like a mix of fantasy and history.
In the story, Vasya, who is now grown up, decides that traveling holds more appeal than joining a convent or getting married. Disguised as a boy and along with her faithful nightingale/horse Solovey, she sets out to discover the world. But while rescuing girls kidnapped by bandits she gets caught up with court of the Grand Prince of Moscow whose adviser is her brother Sasha and she travels to Moscow with them. She is also reunited with her sister in Moscow and ends up battling supernatural forces once again. To some extent her relationship to Morozko the winter king is shaping up and we particularly liked the fact that she insists on standing her ground even with him and is herself unhappy about not knowing where precisely he figures in her life. But we have a feeling there is more to come.
Compared to the earlier book, this story is much more gripping mainly because Vasya can be more free and has Solovey to back her up. We are still wondering what the connection is in old Russian folklore between horses and birds. The glossary does not clarify this point but is otherwise an integral part of the book, we read it with as much relish as we did the story. Arden’s writing has matured since the last book with the story flowing a lot better in this one. And we definitely cheered when we found out that the third book is out in August this year. Not much of a wait.