We all grew up with stories of princesses being perfect, beautiful and delicate as flowers. They were so sensitive that they could be disturbed by a single pea through layers of mattresses. They were forever in trouble and required to be rescued either by fairy godmothers or by handsome princes. Basically they were frail and a little empty headed. We don’t know if the fairy tales have changed at all but certainly princesses in fantasy novels are diametrically opposite to the stereotypes. So Kelsey Glynn in Queen of the Tearling by Erika Johansen presents quite a contrast. To start off with, the girl has no claim to beauty and is overweight. She is tough, outspoken, politically astute and rashly brave. The coronation scene in the book encapsulates the new age princess in a way like nothing can; despite being stabbed in the back, literally, she insists on completing the ceremony, bloodied and with the dagger sticking out of her shoulder and only permits herself to faint after it is over.
PS: Princesses, these days, are the ones who do the saving and the traditional saviours seem to be going out of business. I suppose that is an instance of woman power, accepted not just by readers, who had possibly been hankering for it for quite some time, but also by publishers who finally acknowledge that it sells.
LL: Kelsey’s is a fascinating character. Although she has been trained to rule and survive from the very beginning, interestingly the training happens in isolation. Despite that she has considerable empathy for her people.
PS: I like the fact that she is keen to learn bad words from her guards and hankers for books which are hard to come by in her world. I spent a lot of time while reading the first book, wondering exactly where the story was located in place or time. It initially seemed like another world but there were too many references to this one.
LL: I guess that becomes clearer in the next book, Invasion of the Tearling, the second book in the trilogy.
PS: Which I felt was one of those rare middle books that turned out to be better than the first one. It really raised my expectations of the third and final book which is out only at the end of the year.
LL: Well there is an element of magic, of other worldliness, another Queen from a neighbouring kingdom, who is the bad guy, who demands tribute in the form of slaves from Kelsey’s kingdom. And there are references to Harry Potter and Lord of the Rings. Not to mention the fact that despite the troubled kingdom, Kelsey loves to read. All of this provides for a sympathetic heroine and an intriguing story.
PS: It is quite common these days to find that the protagonist likes books. Most authors realise that it means instant likeability with the readers who identify with that aspect of the character.
The Queen of the Tearling has apparently been snapped up for a movie franchise, possibly because the story is relentlessly dramatic. It is a dark and gripping tale and yet it has a protagonist who instantly appeals because of her concern with doing the right thing. The rapid progress of the story however does not give away too much so one is left wondering about a lot of things which are only made clear in the second book. Erika Johansen has however, paced the story fairly well across the trilogy in that, at least so far, the reader does not feel let down at any stage. We would definitely recommend the book to readers of fantasy and post-apocalyptic fiction.